The Barber of Seville

…director Natascha Metherell played to Stanley Hall’s strengths using the full (and considerable) width of the stage to move her cast easily in and out of the increasingly complicated situations.  The look and feel of the production was Edwardian and most importantly stage and pit were well coordinated as a result the piece went with a swing.  Stanley Hall has come far in [it’s] 10 years and this was a Barbiere to prove it.”